Photo-Impressionism

the idea

I have been experimenting with in-camera multiple exposures, dragged shutter exposures and digitally layered photographs to create photo impressionistic images (for art purists I admit the images are really examples of post-impressionism). They have promise. I like the way the photographs convey energy and motion. As well, the soft image resulting from these techniques can bring the eye to rest on unexpected detail.

the technique

Photo impressionistic technique defies definition. It is experimental in nature. I have been working in 3 areas and looking for others that will provide powerful impressionistic photographs:

• In camera multiple exposures; I like this effect the best because there is an element of chance and the soft colours and forms remind me of impressionistic paintings.
• Photoshop montage; is much more contrived but the effects can be very powerful.
• Dragged shutter; slow exposures, usually panned, of moving subjects lasting a half second or more. These images convey motion in a way that is graceful, almost elegant while preserving the spontaneity.
• Slow sync flash; 
• Rear sync flash;
• Multiple flash;
• Moon  light exposures: and
• The Orton Technique.

in camera multiple exposure

 

The Dragon Boaters 4 by Stephen D'Agostino

I first experienced the use of multiple exposures to create photo impressionistic images in Freeman Patterson and Andre Gallant's book "Photo Impressionism and the Subjective Image". A great read if you are looking to push your creativity. I have tried to add to their ideas by choosing subjects that are in motion.

Take a look at my dragon boat images for examples of in camera multiple exposure and I think you will agree it is a powerful technique. I have also posted some works in progress and images taken at the 2006 Club Crew World Dragon Boat Championships. The works in progress might give you a better idea of the technique.  Lastly take a look at the images I exhibited as part of Toronto's Contact Photography Exhibition. Framed on stretched canvas the images invoked a return to impressionist painting.

 

In Front of The Mona Lisa 1 by Stephen D'Agostino 

dragged shutter

I had been meaning to try slow shutter panning, also known as dragged shutter photography for quite some time. But the technique never quite seemed right for the moment. Lately however it has become my focus.

Compared to multiple exposure I like the softness, almost elegance of the images. A sense of motion without hard edges. Like multiple exposure it is an in camera technique and as a result is immediate and spontaneous.

Dragon Boat 1 Detail by Stephen D'Agostino

montage

Unlike the other techniques, montage is a post production exercise involving over lapping layers to convey a sense of motion. As a result it can be criticized for being contrived. Even so i love the effect.

The Dragon Boaters 7 by Stephen D'Agostino