20121215-_DSC1855, a photo by Stephen D’Agostino on Flickr.
This image of the Swarovski Christmas Tree was taken at the Yorkdale Shopping Centre in Toronto. 32 images were taken all around the tree then merged together using Tony Sweet’s Layer Stack Opacity Blending script. The resulting image was colour corrected then given a bit of structure using NIK’s tonal contrast filter.
Evergreen trees are a perfect subject for “in-the-round” photography and the christmas tree is the perfect evergreen. I think it is the symmetry that makes it such a good subject. And the strong personal connection to Christmas makes the image more compelling.
I have been shooting “in the round” for about 2 years now and have developed a few personal approaches to the subject. Of course photo Impressionism is meant to be creativity without boundaries or rules but I think you need a bit of craft to make this technique work. Here are some thoughts:
– the subject needs an axis. It doesn’t have to be symmetrical but you have to visualize it spinning like a top and if that visualization works you have something.
– the more you accomplish in camera, the less contrived the result will appear. In the round is inherently messy and the photographer must bring order to the chaos. I accomplish this by careful framing the subject using the grid lines in my view finder. It seems to work best for me if the camera is handheld but the subject (the axis) is carefully maintained between the bottom top grid lines so that its size and location in the frame is constant.
– because the final image is composed of a large number photographs, individual elements tend to dissolve into a textured background unless they are repeated. For example, people walking through your shot tend to disappear while people standing tend to remain a compositional element.
– shoot lots- then shoot some more. I think the technique needs about 30 images minimum to work properly. I try to maintain the same distance from the axis element of the image and use a zoom to fine tune the size of the main subject.
– post production – I start in Lightroom where I select the images I intend to use and then open them in Photoshop as layers.
– once in photoshop you can use a tool such as Tony Sweet’s layer stack opacity script or for more control start with the bottom layer and manually decrease the opacity of each layer above by about 50% ( eg 100 50 25 13 6% opacity) until you get to about 6%. Play with the image order and opacity until you achieve your vision. Resist the urge to fix alignment issues in photoshop.
– the resulting image is going to look a bit washed out so I generally add a bit of life back using a white/black point colour correction, contrast, and NIK’s tonal contrast filter.