Spring brings some wonderful opportunities to explore “in the round photography”.
The idea is to capture the essence of an object in its environment by taking photographs from many points of view and then merging them into a single image. And the result is often a simplified version of the origin, bathed in muted soft pastel’s. I was first exposed to this idea in New York where you can find wonderful examples by Pep Ventosa at the Lumas gallery in Soho.
In this case I carefully walked in a circle around the apple tree taking a pictures every few paces. For each picture the tree was lined up in my view finder using the grid lines. Of course you can’t line your subject up perfectly but the process is very forgiving because the result is really an average of your efforts. In terms of numbers think 20 or more pictures.
Because the image is averaged there are other surprising results. While I was shooting a service truck parked in my point of view. It was obvious I was shooting so I was upset that the truck would create a distracting element in the background but as you can see it vanished when the images were blended together. Same thing with the “no parking” signs posted around the tree.
I start post processing in Lightroom where I select all the images I plan to use and then open them in Photoshop as layers. For this one I used an opacity blending script but the blending can also be achieved manually. For manual blending try reducing the opacity of each image by about 50% of the image before it.
I find the result of opacity blending a bit too soft so I use NIK’s tonal contrast filter and Vincent Versace’s mid tone contrast action.