Sometimes you just know how a picture is going to turn out; sometimes the joy is in the surprise. This image is a perfect example.
I saw this scene while walking through the cactus garden at the Phoenician Hotel in Scottsdale . What caught my attention was the repetition in the receding saguaro and the strong vertical elements. Creating depth in an impressionistic images has been a challenge for me.
To create the photo impressionistic effect I used the high-speed montage approach I am developing. I shot a burst at 60 fps while panning, The images were then brought together in Photoshop using an opacity blend. I could have created the same effect using a dark neutral density filter and a slow shutter speed but composition would have been an issue for me. The high-speed montage approach is more suited for photo impressionism on the fly.
The result was better than I had hoped. The vertical elements created a texture I had not seen in the viewfinder adding to the scene’s depth.
Flickr selected this image for its Explore page yesterday; about 9,500 views in 24 hours. Thanks to the curator at Flickr who championed this image.
I have been following David duChemin for about a year now. Always fresh and thoughtful punctuated by great images.
His recent post “Mirrorless to Africa” caused me to reflect on my recent experience with Nikon’s N1 J2 . I think David is being very brave.
To put these thoughts into context you have to understand I love my dslr; a Nikon D4. It gives me everything I need without compromise. My N1 on the other hand is all about compromise.
The positives are compelling. The size and weight is perfect for travel. The lenses are sharp. The 18.5 1.8 rivals my usual 50 mm. The 30-110 fills in for my mid range dslr zoom producing good sharpness in good light. The underwater housing is svelt and well thought out (except for the inexplicable smoky back partially obscuring the LCD). The vibration reduction doesn’t get in the way and seems to more than make up for the inevitable camera waving that occurs when composing on the LCD.
Which brings me to my short hate list. I have come to hate the LCD. In bright light the subject disappears leaving you to guess what your composition actually looks like. That’s a problem for me when I am composing “in the round” montages such as the image above as I am completely dependant on the grid lines. And there is the awkward waving stance that comes with LCD composition.
Don’t get me wrong. I love the freedom. I just miss my trusted friend. Which brings me back to David duChemin. Africa is a long way away from his dslr if his experience ends up being like mine.
New York is a magical place for photographers. For me it’s the energy of the place; the people; the mix of architecture.
We were walking south on 5th Avenue. A bright morning. The crowds pulling towards the Met and I wanted to capture that feeling. The image above is my second shot. A three second motion blur taken while walking. I guess you might call it a forward pan.
The back story is this. I usually shoot with a Nikon D4. It’s a great camera and my favourite for photo impressionistic experiments. But add a couple of lenses to your bag and after a while the weight is oppressive. A recent back injury forced me to consider other options so I thought I would try a compact system and bought a Nikon N1 J2. In picking the J2 price was a big factor. Nikon’s release of the updated J3 means there are plenty of deals on new cameras.
I was surprised at the image quality of the N1 J2. Even more surprising was the system’s versatility. It shoots Raw (NEF format) which can be a life saver. While it won’t shoot in camera multiple exposures; the shutter releases quickly allowing me to reproduce the effect in Photoshop. The camera gives you shutter and aperture control meaning long exposures are a possibility. Match the lens with a Cameron Fader ND filter using a step up adapter and you have some great creative choices. In my view this is a great alternative for my photo impressionism projects. My only complaint is the LCD can be a pain to use on a bright day. I like using a viewfinder.
For my taste, long exposures and in camera multiple multiple exposures are too soft and washed out. As a result I colour correct and add structure to my photo impressionistic images in Photoshop. In this case I have used NIK’s tonal contrast filter and the mid-tone conturing action from Vincent Versace.